Edition of copies. The music moves in waves with long tones layered over each other, breathing in and out with an organic, rhythmic underlayer. With The Electric Harpsichord a legendary piece in certain circles , she displays all that and more. By using this site, you agree to the Terms of Use and Privacy Policy. Like her friend and collaborator, La Monte Young, Hennix is indebted to the idea of an Eternal Music, something which composers can tap into if they have the requisite skills and knowledge. This first taste is a total killer. Retrieved from " https:
| Uploader: | Shakanos |
| Date Added: | 2 March 2012 |
| File Size: | 69.23 Mb |
| Operating Systems: | Windows NT/2000/XP/2003/2003/7/8/10 MacOS 10/X |
| Downloads: | 17179 |
| Price: | Free* [*Free Regsitration Required] |
Hennix born is a Swedish-American sound artist, poet, composer, philosopher, mathematician and visual artist associated with drone music.
Catherine Christer Hennix
This was recommended to me by a regular customer who often frequents the towers to collect his sonic fix. What remains mysterious although I guess the October issue of The Wire has a piece on Hennix which hopefully fills in some blanks is why this piece was only performed once, and why it has remained out of the public apart from occasional presentations by Flynt for so long. While the use of the time lag in Riley's works such as "A Rainbow in Curved Air" results in an experience of blissful, focused, samadhi-like calm, Hennix's drone work has more in common with the chaotic fluxes of psychedelic experience or the mandalas of Tibetan Buddhism.
It really is astonishing to discover that cahherine work has remained unreleased until recently, having been recorded live back in By using this site, you agree to the Terms of Use and Privacy Policy. A staggering and astonishingly wondrous audio delight to treasure, with the highest possible recommendation I could ever wish to give. Submit Your email address will not be abused or shared. This is a moving eternity, pulsating, shifting-something like a raga perhaps, insofar as a harpschord is a specific deity invoked into sound, shifting, fluttering inside the matrix of the drone.
Byron Coley on Catherine Christer Hennix's The Electric Harpsichord - Forced Exposure
A Swedish born composer, who studied in the tradition of the Xenakis and Stockhausen in the s, Hennix met La Monte Young and Hindustani raga master Pandit Pran Nath at the Nuits du Fondation Maeght festival inand pursued studies with both men during the s.
It creates blocks of sound that move min harpdichord out of each other to create the effects.
At its further reaches, mathematics begins to blend with logic and philosophy in a mystical way far beyond the ken of mere humans. Both cosmic and in some ways very earthy, it is a masterclass in the true power of sound and the places it can transport you to.
The music moves in waves with long tones layered over each other, breathing in and out with an organic, rhythmic underlayer.
The Electric Harpsichord
Flynt obliquely refers to problems with the Swedish music establishment, but the concept of music-in-opposition is certainly nothing new, and many composers like Flynt, Tony Conrad, Terry Riley and others have had much wider access to record labels over the past decade or so. The piece itself is performed on a tunable Yamaha keyboard using the harpsichord stop, abetted by custom sine wave generators. Like her friend and collaborator, Haepsichord Monte Young, Hennix is indebted to the idea of an Eternal Music, something which composers can tap into if they have the requisite skills and knowledge.
From Wikipedia, the free encyclopedia.
February Learn how and when to remove this template message. Just Intonation can be heard in Ragas and also East European folk musics.
And this is an operating theater in which Hennix is clearly comfortable. In some ways this feels like the subtleties and nuances of drone music have been reassembled and put to the forefront without having to listen in closely to obtain the sort of hidden message.
There are several small event clusters behind this, but they function as highlights to the droning essence of the work, rather than distractions from it. See our privacy and copyright statement for more information.
This being hailed as a lost masterpiece of early American minimalism is no hyperbole. The title of the piece is misleading. In our primitive and unenlightened culture it becomes a work of transcendent power.
Indeed this is an improvisation on Just Intonation a practice which disregards Western thought on tone; which eventually became controlled by the scale of the piano. Beats the shit outta me.
Catherine Christer Hennix
Then I read the recent feature on the artist in The Wire Magazine and her words and philosophy of sound really hit a nerve with me and I simply had to hear it… So we contacted Die Schachtel to score some copies and they arrived… What a gorgeous, elegant package this disc is; housed in a luxurious silver and black A5 fold out edition accompanied by a mounted book featuring texts by Hennix catherne, Henry Flynt and La Monte Young, who was a key influence on Hennix's work, along with Guru and master musician Hindustani raga master Pandit Pran Nath, to whom this single 25 minute piece is dedicated.
Please help to improve this article by introducing more precise citations. Retrieved from " https: A huge amount of credit is due to the label for releasing this important and magnificent lost treasure. Although the harpsichord stop is employed, the actual attack has nothing to do with harpsichordian sonics. An improvisation performed on Just Intonation cathsrine keyboards put through time lag accumulators similar to those used by Terry Riley, Hennix has produced one of the most remarkable pieces of music to emerge from the La Monte Young school of minimalism.
This article includes a list of referencesbut its sources remain unclear because it has insufficient inline citations.
Комментарии
Отправить комментарий